One day in 1971, Rubens Paeva, there was a congress and a critic of an unrealized military issue of Brazil, was taken from his house in the country. Adapted to the memoir of his son Rubens Poy, this is the preserved political drama of Walter Salles (Dnevnik Motorcles) remains with the result of Rubens, Yunis (Essetia. His anxiety of the firm fond, the nominant of the central cell on the central part of the status of Salosβs paintings.
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